Here are a couple of ways to wear a slouch hat. First, place it on your head so that it covers most of your forehead but stays above your eyebrows. The bottom of the hat should just skim the bottom of your earlobes. Tease the back horizontally to spread out the slouch. This style is great for cool weather.

If warmth is not a factor, you can adjust the slouch by holding the band part with one hand and pulling the hat back with the other. It’s a different look with the hat resting at your hairline in the front and slouching more at the back.

I finished the two slouch hats shown in the photos in a tweed wool blend and was pleased with the vibrant colours and the clearly defined stitches. The method of crocheting the ribbed hat band created a neat knit-like look with good functional stretch.

Granny squares were one of the first things I crocheted as a child. After making afghans, skirts, sweaters and vests, I started creating multi-coloured granny square hats using leftover lengths of wool. Now, I’ve decided to revisit that hat. My first two have a floral motif and are in shades of green, nature’s neutral.

I really liked a certain pattern, but the silk that I favoured for it was too fine. I thought that, by using a double strand of the silk yarn, I could effectively get a thicker yarn to match the gauge of the hat pattern. Gauge (number of stitches and rows per inch) is important in order for the finished garment to be the correct size.

Margaux of Wet Coast Wools in Vancouver helped me produce two equal-sized balls of yarn from one hank. There were two steps to doing this. First, she used a yarn winder to transform the hank into one large yarn ball or cake. Then she used the yarn winder and a weight scale to divide the large cake into two smaller cakes of equal size. 

The resulting yarn cakes make crocheting or knitting easier because they sit flat on a surface and let you pull yarn neatly from the centre of the cake. For my crochet squares hat, I used two strands of yarn held together to crochet five granny squares, joining them to make up a hat.

An athletic headband keeps the sweat from rolling from your forehead onto your face and into your eyes while you are exercising. Steve, physical fitness trainer at DoStrength Gym, is wearing one that I made of white and black cotton spandex. Often used as rib banding on track suits, this medium-weight fabric has crosswise and lengthwise stretch. It is comfortable, durable and easy to clean.

Sweat keeps you cool through evaporation. Another good sweatband material for your workouts is bamboo rayon. Lightweight and soft, it is moisture-wicking and breathable. How about this other option – bamboo rayon on one side with cotton Terry cloth on the other? Terry cloth with its small loops of fibre is very absorbent and dries quickly. Bath towels and bathrobes are commonly made of this.

As well as functioning as exercise gear, headbands are a fashion accessory. In place of headbands from the 2010s with bows and flowers, today’s fashion headbands borrow from the simple form of the athletic headband. The monochrome headband is a good first selection.

And finally, have a listen as Ryan Gosling lists his lightning headband (first minute of the YouTube video) as one of the top 10 Ken Essentials to tap into your Kenergy.

To sew this bamboo rayon stocking cap, I used Kwik Sew Pattern 2527, a vintage pattern designed by Kerstin Martensson. After studying fashion, clothing construction and pattern making in Sweden and England, Martensson worked with the Swedish sewing machine company, Viking. She rose to the position of international representative, an unusual achievement for a woman in the 1960s.

When Viking produced a revolutionary new sewing machine with stretch-stitch capability, it initially did not sell well in America. Home sewers just did not know what to do with the new stitches. So, Martensson developed a few simple stretch-friendly sweater patterns. The response of home sewers to the sewing machines and the patterns was positive and huge. In 1967, Martensson founded her own Sew Knit & Stretch Company in Minneapolis and later renamed it to Kwik-Sew Pattern Company.

Embarking on a new crochet hat project is fun. Duplicating or tweaking the same hat pattern continues the adventure. Colour is an obvious way to change the look, as is the choice of yarn. Different yarns give hats different drape and structure. In the hats pictured above, Bluefaced Leicester wool and a wool/silk/cashmere blend were used to crochet beanies with a tailored look where the stitches are well defined but softness is maintained. Fibre thickness might dictate a change in crochet hook size. Having an assortment of hook sizes enables me to crochet test swatches and adjust the pattern accordingly.

Technology touches aspects of modern living, including yarn development. A Peruvian yarn of “de-haired” alpaca and merino (shown below) is spun in a tube of silk webbing and does not pill. For this incredibly lightweight fibre, I used a hat pattern crocheted in the “third loop” of half double crochet stitches. It has ever so slight a brim, so I added a flower embellishment in two tones with a button.

Bold or subdued? Colourful or neutral? Durable or delicate? When you decide that you would like to have a custom hat tailored and your head size is measured, there are countless fabric choices. After consulting with my customers, I have developed some general guidelines to help select. They fall into three categories that I call the “3Ps”: personality, palette, and purpose. I’ll give some examples to illustrate.

Personality: If you have a flamboyant or outgoing personality, then perhaps you embrace a bold hat that calls attention to you. You dare to wear clothing that is avant-garde and you’re definitely not afraid to be imaginative or unconventional in your dress. This might be reflected in pattern and colour.

Palette: Colour choices can reflect your personal preferences. If you are averse to colour, then it’s likely you would veer toward a neutral or more muted shade. With a reversible bucket hat, the two fabric choices can be complementary or contrasting. Many like a solid on one side and a patterned (such as floral, striped, or plaid) on the other. The season might dictate the hues, for example darker for winter, lighter for the warmer months, autumnal for fall.

Purpose: Your might need your hat to match an outfit for a special event, in which case you might be more daring and make a one-of-a-kind choice. On the other hand, you might want an all-occasion hat that can go with just about anything and that you can wear just about anywhere. It might a smart casual look that you’re after – for grocery shopping or watching your kids play soccer on the weekend. Travel plans can influence the choice of hat. A sun destination might require something in a light colour, a lightweight fabric, and a longer brim for sun protection.

A sister/brother duo was spotted at a provincial park campground this spring sporting crocheted hats. Like a lot of children, they have been wearing hats and caps since they were babies. This early habit has made consistent hat wearing easy and each child has a selection of many hats. The parents realized the importance of protecting their young ones’ delicate skin against harmful UV rays and regulating body temperature. Hats keep them warmer in the winter and cooler in the summer.

I chose to use a bright pink wool to crochet the girl’s brimmed Brickwork Hat. Pink is her favourite colour and she has many matching dresses, T-shirts, and hoodies in the same colour. A well-chosen chapeau can complete the look of an outfit at any age.

The little boy was attracted to his slouchy beanie, mainly because of the pom pom. Importantly, the hat fits and sits well on his head and is comfortable to wear. So much so that he wanted to wear it to sleep.

This hat was custom sewn for a woman who had been invited to a garden tour in her community. She wanted a hat fitting for the occasion, but that could also do double duty in her own garden. She chose an organic cotton print in green and cream on brown for the eye-catching side of the bucket hat and a practical water and wind-resistant technical fabric for the reverse. In addition, she requested a chin strap to prevent the hat from blowing off her head in her windy seaside garden.

Like a kid in a candy store, I’m so happy shopping in a fabric store. I love browsing and exploring the array of patterns, materials and notions. Recently I visited a favourite family-run business Gala Fabrics in Victoria, B.C. I was on the hunt for cotton to sew sun-protection hats and I left not disappointed.

I purchased a light-weight quilting cotton with blue daisies and a medium-weight patchwork cotton from Sevenberry’s Nara Homespun collection. Both were made into reversible bucket hats and a remnant of blue recycled cotton canvas lined the reverse sides.

While the fabrics I chose were suitable for spring and summer wearing, cotton fibres can be woven into heavier materials, such as velvet, corduroy, velour and flannel. On the other end of the spectrum, cotton can be loosely woven into sheer, airy gauze and voile…think bandages, mosquito nets and curtains. Cotton is versatile and popular and includes properties of breathability and durability. Downsides are that it wrinkles easily and will shrink in the wash if not pre-treated.

Batik is the art of decorating fabric—cotton, silk, linen, rayon and hemp—using wax and dyes. The origin of batik is uncertain, but some speculate that it spread from Asia along caravan trading routes over 2,000 years ago. Batik is now found worldwide. The batiks of the pleated skirts of the Miao people tell the history of their ancestors’ migration from China to Vietnam, Thailand and Laos. Still popular today, African Mali mudcloth came from an ancient technique that used a bath of leaves and branches, followed by mud dyeing and sun drying. Pysanky Easter eggs of Ukraine are decorated with symbolic motifs, often incorporating complex geometric or floral patterns.

Some of the best batik craftsmanship is found on the island of Java in Indonesia. In 2009, UNESCO recognized Javanese batik as a Masterpiece of Oral and Intangible Heritage of Humanity. Originally batik seemed a natural fit for Java with ready availability of the raw materials—cotton, beeswax and plants to provide natural dyes. A simplified explanation of batiking involves first blocking out or dotting (the Javanese word “tik” means to dot) designs on fabric with hot wax. Dye is applied and the wax resists the dye. Waxing and dyeing is repeated until the desired outcome is achieved. Then the wax is removed.

Contemporary batik can be crafted using a variety of techniques to apply wax and dyes. Tools such as wooden stamps and stencils create interesting visual effects. Different kinds of waxes and dyes, both natural and synthetic, are part of the batik artist’s kit.